I didn’t watch every episode of Star Trek: The Original Series with my wife just so I could write a bunch of lists about it. We watched the show for fun. We’d watch an episode to decompress and relax after a stressful day dealing with work or healthcare or family or whatever.
We found that this was not always a good idea.
There’s bad television, and then there’s awful television. Unwatchable television. Television that makes you wonder: how did this get made? How is the writer of this episode still employed? Why hasn’t anyone burned/obliterated every existing copy of this in order to save the human race from it?
If you’re watching Star Trek to relax, then skip these episodes. After reading this list, please feel free to cleanse your palate with my previous list of the 10 Most Entertaining Episodes of Star Trek: The Original Series. Whatever you do, DO NOT watch the episodes on this list if you’re looking for “good” Star Trek. You’ve been warned. Read More…
Welcome to the first list in a 4-item list of lists that my wife and I are writing as a cultural output resulting from the cultural input of watching every episode of Star Trek: The Original Series. This, our first list, will be the most banal list, but will still serve as an exceptional point of entry into the show in the event that you haven’t watched it and need to know what’s worth seeing.
The best science fiction is thought-provoking, so in a few weeks, I’ll be posting a list of the most thought-provoking episodes of the show. But this is not that list. While some of these episodes may intrigue you, they were selected for their sheer entertainment value, and not necessarily for their insightfulness or ability to intellectually stimulate their audience. If you’re looking for episodes you can watch for pure enjoyment and share with someone who couldn’t care less about science fiction, then this is the list of episodes for you. Read More…
About 9 months ago, my wife and I started watching Star Trek on Netflix. As in, the ORIGINAL Star Trek. The Kirk and Spock one. Known as “TOS” for “The Original Series,” at least among circles of people who spend their time defining acronyms to help them more clearly talk about TV shows, this show is in the cultural fabric of America. Kirk and Spock are two of the most iconic characters in television history (source: my opinion).
But have you ever gone back and actually watched it? Read More…
Hey! Long time, no update, right? Well, I have a pretty compelling reason to post here… because a few weeks ago, I launched the Curiosity Podcast (now the Curiosity Daily). And it’s kind of a big deal. Here’s a preview of what the series sounds like:
So, I’ve been really busy with that, and a lot of people are listening to it. Which is why I figured I should post an update. Because let’s say someone who listens to the Curiosity Podcast searches for my name, and finds me, and finds this web site… well, that person could gleam a lot of things about me. Which is why I’d rather just introduce myself. Read More…
I’ve played over 100 hours of Final Fantasy XV and it took me at least the first 50 hours to figure out exactly what bothers me about the game. That’s good, right? I mean, obviously the game isn’t LITERALLY UNPLAYABLE, or I wouldn’t have survived more than 40 hours. And I’m not going to say that the game is bad, because it’s not a bad game. But it is a fundamentally flawed game. I’m reminded of one reviewer who humorously gave it “9.75 out of 10: disappointing and underwhelming,” because there’s a lot of truth to that. This game may be doing relatively well on Metacritic, but from the reactions I’ve seen from the game’s audience, it seems like a different experience could have pushed it even higher.
So here is my unnecessarily long-winded “review” of Final Fantasy XV, which has undergone several revisions over the last six months, and thus may not be as coherent as I’d like, but the next 3,000 or so words should nonetheless be at least moderately entertaining. You’ve been warned.
Today’s poem—or, more precisely, the poem I wrote on March 27, 2003—will test the old adage “write what you know,” as its subject matter is something with which we’re all perhaps too familiar: carpet squares.
I don’t believe the classrooms in my high school even had carpeting, so I’m not sure why this particular topic inspired me to write a poem in my high school creative writing class, but here we are: my poem about carpet squares, followed by some nonsensical paragraph that doesn’t seem to have anything to do with anything:
To recap: this is an epic tale of deception, of security guards, of teenagers, of drunkenness, of meltdowns, of suspicion, of betrayal, of murder, of mystery. And I must set the stage with the cast. Read More…
I must tell an an epic tale of deception, of security guards, of teenagers, of drunkenness, of meltdowns, of suspicion, of betrayal, of murder, of mystery. I must tell the tale of the most dramatic game of Werewolf I have ever played.
I feel that it is extremely important to communicate my exact feelings about Werewolf in order to help you fully comprehend the gravity of the drama that transpired during this legendary game, so I have broken up this tale into two parts; this, the first, shall focus on the mechanics of the game as I perceive them:
Werewolf, which you may know as Mafia, is the best party game ever invented (yes, even better than Cards Against Humanity). The rules are simple: a bunch of people sit in a circle, and they’re all villagers. But 1-3 of them are secretly werewolves. A “caller,” who runs the game, narrates when the village sleeps at night (closes their eyes) and announces whom the werewolves have decided to kill each morning, once the villagers have opened their eyes and risen from their slumber. The object of the game is for the villagers to deduce, through various methods, which of their neighbors are the werewolves… before they are all eaten.